ChartBand

ChartBand › Guides

Transpose a lead sheet for B♭, E♭ and F instruments

Fake books are mostly in concert pitch. If you play trumpet, tenor, alto or horn, every chord has to move — here's how, with a table for all twelve keys.

The rule for each instrument

Your instrumentMove every chordConcert C becomes
B♭ — trumpet, tenor and soprano sax, clarinetup a whole step (major 2nd)D
E♭ — alto and baritone saxup a major 6th (same as down a minor 3rd)A
F — French hornup a perfect 5th (same as down a 4th)G

Only the letter names move. The chord quality stays the same: a concert F7 is a G7 for B♭ instruments, a D7 for E♭ and a C7 for F. Slash chords move both notes: concert C/E becomes D/F♯ for B♭.

All twelve keys

ConcertB♭ partE♭ partF part
CDAG
D♭E♭B♭A♭
DEBA
E♭FCB♭
EF♯C♯B
FGDC
G♭A♭E♭D♭
GAED
A♭B♭FE♭
ABF♯E
B♭CGF
BC♯G♯F♯

Use the same row for a chord root or a key. Spelled the way most parts are written (F♯ rather than G♭ when the part is in a sharp key); either spelling is the same note.

A worked example: blues in F

A basic concert F blues, and the same changes for each instrument:

ConcertB♭ partE♭ partF part
F7 | B♭7 | F7 | F7G7 | C7 | G7 | G7D7 | G7 | D7 | D7C7 | F7 | C7 | C7
B♭7 | B♭7 | F7 | D7C7 | C7 | G7 | E7G7 | G7 | D7 | B7F7 | F7 | C7 | A7
G−7 | C7 | F7 | C7A−7 | D7 | G7 | D7E−7 | A7 | D7 | A7D−7 | G7 | C7 | G7

Spelling the new key

Write a part in the key's own spelling: flats for flat keys, sharps for sharp keys. A B♭ part for a tune in concert E is in F♯, so its chords are F♯, B, C♯ — not G♭, C♭, D♭. When in doubt, pick the spelling with fewer accidentals.

Transposing in ChartBand

7-day free trial, then $9.99/year (renews until cancelled), or $19.99 one-time. All features →